Each year at the Lā Hoʻihoʻi Ea celebrations in Honolulu we honor two kūpuna aloha ʻāina,
one living and one deceased. This year’s honorees will be announced soon!
Keliʻi William “Skippy” Ioane Jr. &
Abraham “Puhipau” Ahmad
Keliʻi William “Skippy” Ioane Jr., was born in the fall of 1951 to Kaualililehua Judd of Pālolo, Oʻahu and Keliʻi Ioane Sr., of Keaukaha, Hawaiʻi. He and his five younger siblings, were raised between the one hānau of both parents. While living in Keaukaha, he was influenced by his paternal grandfather, Keliʻikanakaʻole Ioane (Wiley Kanak), who never embraced Christian theology, or western assimilation, despite a subjugated childhood as a ranch-handler in Kapapala, Kaʻū. This had a strong impact on Keliʻi Jr., In school, at a very young age, he found himself unable to conform to the westernized restructuring system.
Keliʻiʻs first exposure to the modern Hawaiian movement was supporting the Deleon ʻOhana at Kūkaʻilimoku village, a forerunner for kānaka maoli land occupation. This inspired him in 1980, to create Kinʻs Landing Village (KLV) located on raw lands in Keaukaha Tract 2 Hawaiian Homelands. Kingʻs Landing was a model of subsistent, off-grid living, for beneficiaries unable to meet the rigid financial requirements of DHHL. During this time, he also made several trips to Kahoʻolawe, where he was the initial builder of the first hale at Hakioawa. These experiences would lead Keliʻi on a path of resistance towards Hawaiian subjugation on all levels. Through his capacity as KLV founder, he led the village as a model for modern-day kānaka occupation through their public legitimization struggles with DHHL. In these efforts the villages’ administration, Mālama Ka ʻĀina, Hana Ka ʻĀina Association (501-C), fosters community outreach, by promoting kānaka occupation and culture revitalization.
Keliʻi was raised by Hawaiian musicians, and grew up around a time when revolutionary music united minority groups in resistance towards US domination. Soon, Keliʻi found himself inspired to write Hawaiian-revolutionary music. He and 4 friends in 1998, began a revolutionary and Hawaiian music band called, “Big Island Conspiracy.” Like it had never been heard before, on a very truthful and raw level, the group sang about the sovereignty movement, colonial manipulation, illegal annexation, Christian domination, and historical trauma. They also sang about, aloha ʻāina patriotism, and its decriminalization, among traditional Hawaiian mele as well. Through their music, they promoted important revolutionary theories such as, “We The Evidence, We Not The Crime!” Keliʻi, was arrested during both efforts to protect Mauna Kea, and has vowed to continue in the movement as a kūpuna front-line protector. His current project is the creation of a Big Island KANAKA Caucus Convention in 2020.
Abraham “Puhipau” Ahmad (1937 – 2016) was a Hawaiian Kingdom patriot and documentary filmmaker who dedicated his life to enlightening himself, his people and the world about Hawaiian history, sovereignty, and aloha ‘āina. Born in Hilo, Abe (as he was called then) described himself a “hapa-stinian,” one of four children of a Palestinian-Hawaiian union. He graduated from the Kamehameha Schools, class of 1955 and then spent a decade as a seaman, traveling from California to Vietnam and to South America. During this time he became critical of imperialism, writing: “In many of the Latin American ports where we docked I saw a lot of guns. Local resources were being ripped off and governments had to use martial law to protect the thieves.”
When he returned home in 1970, Ahmad frequented the growing urban fishing community at Sand Island, and he eventually took up residence there. He made regular deliveries of ice to Sand Island residents to help with food storage, and they selected him as a spokesperson when they were fighting eviction by the settler state. During this struggle, he took for himself the name Puhipau, a name found in his family’s genealogy. He explained: “puhi pau means blown away, completely burned. Puhi pau ʻia nā mea huna, all the secrets were revealed.” His ancestor, Susanna Puhipau, can be found on the first page of the Kūʻē petitions, protesting the US annexation of Hawaiʻi, and he carried this legacy through his life’s work.
Puhipau turned his attention to educating through the medium of video, and he formed one of the most prolific and widely known documentary film teams in Hawai‘i, Nā Maka o ka ‘Āina, (“the eyes of the land”) with Joan Lander.
Over the next four decades, Nā Maka o ka ‘Āina productions covered critical issues in Hawaiʻi and Oceania, including the nuclearization of the region, the bombing of Kahoʻolawe, the theft of water from Hawai‘i’s streams, the destruction of Pele’s rainforest domain by geothermal development, the desecration of the summit of Mauna Kea, and the unearting of burial sites on Maui. They have documented movements fighting evictions at Mākua, Waimea, Waimānalo and Ka Lae; protecting Hāloa (kalo/taro); restoring traditional ahupua‘a systems; asserting the history and existence of the Hawaiian Kingdom; and celebrating the arts, music and dance of Hawaiʻi and the Pacific. Puhipau represented his work in international film festivals from Yamagata to Berlin, New York City to Aotearoa. Local and international television networks have featured Nā Maka o ka ‘Āina productions, and their documentaries continue to be used in educational institutions worldwide.
Nā Maka o ka ʻĀina has been honored by the Hawai‘i House of Representatives, Hawaiian Civic Clubs, the Hawai‘i Film Office, Pacific Islanders in Communications, Hawai‘i People’s Fund, Native Hawaiian Legal Corporation, and MAMo. In 2017—a year after passing from this earthly realm—OHA recognized Puhipau among “Nā Mamo Makamae o ka Po‘e Hawai‘i” (Living Treasure of the Hawaiian People). Ironically, Puhipau had never been a fan of the kind of pseudo-sovereignty that OHA represented. In fact, in 1980 Puhipau ran for a seat on OHA’s board, promising that if he were to be elected he would work to do away with the agency. This is the spirit of defiant aloha ‘āina and steadfast commitment to Hawaiian independence that he embodied.
Moanikeʻala Akaka & Nani Rogers
Moanikeʻala Akaka (1944 – 2017) traced what she called the “beginning of the Hawaiian Movement for justice” back to the Kalama Valley struggle in 1970, where she was activated, organizing against evictions. Aunty Moani was involved from earliest days of the movement as a founding member of Kōkua Hawaiʻi, the PKO, and Ka Lāhui Hawaiʻi. Once she moved to Hawai‘i island, she became central to several land struggles there, including the Hilo Airport blockade and the protection of Wao Kele o Puna. For years, she and her husband, Tomas Belsky, published a newspaper titled, Aloha ʻĀina, which aimed to educate residents and visitors about Hawaiian and international political issues. Aunty Moani served 12 years as an Office of Hawaiian Affairs trustee: “I never wanted to sit on my ass in an office and do nothing,” she said. And she didn’t. She raised hell about political corruption and mismanagement. Fiery and fearless, Aunty Moani would go toe-to-toe with anyone in political and intellectual battle. Of the contributions and contentions she made at OHA, she looked most proudly upon the years she spent negotiating with the state on the back rents due to OHA for the so-called “ceded lands”—the seized lands of the Hawaiian Kingdom. She was instrumental in securing over $100 million dollars in trust land revenues toward the betterment of Native Hawaiians. Her work protecting lands continued well after her years at OHA were done in 1996. She was always a fierce advocate of peace, demilitarization and anti-nuclearization in Hawai‘i and the Pacific. In April 2015, Aunty Moani was arrested on Mauna a Wākea for resisting the construction of the Thirty-Meter Telescope (TMT). She was seventy at the time.
Nani Rogers was born on September 8, 1939 in Kapaʻa, Kauaʻi. As an ʻōpio Nani found her way to the epicenter of a changing tide on Oʻahu. She attended Kamehameha while living with her aunt on Kukui Street downtown, where the Territorial government was making way for businesses, buildings and ill-conceived schemes of domination. After high school, Nani became a hula dancer under the legendary Kumu Hula Maiki Aiu and toured the Midwest with the Hilo Hawaiians for two years. For the past three decades, Aunty Nani has brought strength and grace to even the most contentious of struggles. She answered Ka Lāhui Hawaiʻi’s call to engage with the State Legislature on issues affecting Kanaka Maoli rights and lands. Back in the days when sovereignty was considered a pipe dream, Aunty Nani became a Ka Lāhui citizen and served as Poʻo of the Kauaʻi caucus. Armed with a new understanding of Hawaiian history and the inner workings of Hawaiʻi government, Nani served tirelessly with KLH for over a decade. Then her notion of ea began to shift: “I realized that a nation-within-a-nation model was quasi-sovereignty, and that total independence was the only way to free our people and nation.” A fierce supporter of Hawaiian independence, she exemplifies the struggle of her island of Kaua‘i. For example, she remained a faithful resident at the three-month vigil to protect ʻiwi kūpuna at Naue when a developer began construction of a luxury home. Between April and June 2008, she was always present at the site of disinterment and mindful of the ʻaumākua whose bones she safeguarded. For many years, she broadcasted her sweet leo from Hanalei each week on KKCR community radio. She continues in the footsteps of her ancestors from the ʻāina where she came into this world and has consistently brought the strength of her ancestors to our Ea movement.
‘Īmaikalani Kalāhele & Palani Vaughan
‘Īmaikalani Kalāhele, aka Uncle Snake, is an aloha ʻāina, a father, grandfather, poet, artist, and musician whose work has appeared in numerous books, buildings and communities. He is one of the co-founders of the contemporary celebrations of ka Lā Hoʻihoʻi Ea and for many years led the ‘awa ceremony opening the festivities. As a poet, his work appears in anthologies of Hawaiian literature and art, such as Mālama: Hawaiian Land and Water (1985) and ʻŌiwi: A Native Hawaiian Journal. His book, Kalahele (2002), collected his poetry and art in a polyphonic performance that mixed Hawaiian, Pidgin (Hawaiian Creole), and English. Reviewing the book, Papuan poet Steven Winduo described Kalahele as an artist and poet who “mediates between ancestral knowledge and modern influences in a lace of art and poetry that floats on the currents of the Pacific, across the islands and in space.” As a visual artist, Uncle Snake’s works bring life to our akua, aliʻi and philosophies. For example, he is the illustrator of a 12-book series for young readers about the life of ka mōʻī Kamehameha I, entitled Kana’iaupuni. Uncle Snake is truly a multi-media creator who continues to use his talents to bring light to the struggles of our people. You can hear some of his music and poetry collaborations at http://www.mokakilounge.org/
Palani Vaughan (1944-2016) was a Patriot of Hawaiʻi. He was steadfastly passionate about Hawaiʻi, our Ali’i, culture, mele, kūpuna, nā ʻōiwi and our Lāhui’s demand for sovereignty and making things pono. A central figure in the Hawaiian Renaissance, Uncle Palani is perhaps best known as a pathbreaking Hawaiian musician who remedied racist representations of King Kalākaua through his research, his music and even through the way Uncle Palani carried himself. Best known for his four albums honoring King David Kalākaua, he formed the “King’s Own” and he studied, composed, published, recorded, and performed tributes to our mōʻī. He prioritized using his music to honor our monarchy and to educate people about it, rather than chasing commercial success. Uncle Palani was inducted into the Hawaiian Music Hall of Fame in 2008. When he joined the ancestors in 2016, his ‘ohana said: “He was a great teacher nurtured by great teachers, and touched so many with his music, his words, his spirit. He was selfless, haʻahaʻa, believed in prayer, loved and cared for our kūpuna. He listened to their voices on the wind, shared their lessons, and ensured they will always be heard and carried on.”
According to his family, he loved the palace and always made time to clean the graves there. While he has always been well known for his music, he worked very quietly and steadily on his own for our nation and for his family in unseen ways. We reaffirm his commitment to his mo’opuna and to all ‘Ohana Hawaiʻi. His family says he would want us to remember that “he was but one soldier in a Hui of Na Koa holding the Torch of Righteousness for all future generations. E Kū Ha’aheo! Eō!”
Dr. Haunani-Kay Trask & Judith Keonaona Flores Napoleon
Judith Keonaona Flores Napoleon (July 2, 1934 – July 27, 1987), One of the unsung leaders of the early Protect Kahoʻolawe ʻOhana and a dedicated grassroots organizer, Auntie Judy Napoleon was a native of Molokaʻi who dedicated her life to serving her lāhui and ʻāina. She was born as Judith Keonaona Flores on July 2, 1934 in Hoʻolehua to John Ko’omoa Flores and Louisa Punanaokamanuehaile (Rosa) Flores. The fourteenth of seventeen children, Judy spent her young life growing up on Molokaʻi and later graduated from Sacred Hearts Academy in 1952. While raising her four children, Judy loved the work that she did at Queen Liliʻuokalani Children’s Center on Molokaʻi, serving families of her beloved island. In addition to the kuleana she carried for her ʻohana and her job, Aunty Judy’s life’s passion was protecting and preserving land and native rights. Her involvement and leadership in organizations like Hui Alaloa, Protect Kahoʻolawe ‘Ohana, Mālama Manaʻe, Kaiaka Rock and many others led some on Molokaʻi to describe her as “the mother of the grassroots native Hawaiian movement.” She often held strategy meetings at her family home in Kamiloloa, Molokaʻi. Judy inspired others to educate themselves about the issues and get involved. She urged kānaka, “If you have struggles in your backyard, take care of them. Don’t wait for somebody else to come and tell you what to do. Go out there at do it.”
Dr. Haunani-Kay Trask is one of the most influential Hawaiian nationalists of our time. Born to a political family in 1949, Haunani developed her legendary oratory skill reciting her father’s legal arguments from a young age. She graduated from Kamehameha Schools in 1967, entering college at the height of the Black Power and anti-war movements on the US continent. She studied radical feminism and while finishing her doctoral dissertation, returned home in 1978 to enter Hawaiian politics by working with the Protect Kahoʻolawe Fund. After completing her PhD in political science through the University of Wisconsin-Madison, she became a professor at the University of Hawaiʻi at Mānoa. During this time she founded the political news and analysis TV show, “First Friday.” Kamakakūokalani Center for Hawaiian Studies could be described as “the house that HKT built,” as she led the charge to have the Hawaiian Studies building constructed and to open positions for more Hawaiian Studies faculty. Throughout all this work on the ground, Trask also published four books, both academic and poetic. Her influence extends far beyond Hawai‘i; Dr. Trask is perhaps the most internationally-recognized Hawaiian scholar, known around the world for her fierce critiques of racism, colonialism and imperialism. She saw herself first and foremost as an educator, and she encouraged countless Hawaiian students to pursue higher degrees to advance the Hawaiian nation. The legacy of her intellectual and activist work is immeasurable, and it lives on all of us who continue to give breath to her powerful words: “We are not American! We are not American! We are not American! Say it in your heart. Say it in your sleep. We are not American! We will die as Hawaiians. We will never be Americans.”
Walter Ritte Jr. & Gayle Kawaipuna Prejean
Gayle Kawaipuna Prejean (April 14, 1943 – April 14, 1992) was a Hawaiian nationalist, activist and advocate. Prejean was founder of the Hawaiian Coalition of Native Claims, now known as the Native Hawaiian Legal Corporation. A pioneer of the sovereignty movement during the 1970s, Prejean was one of the first voices to advocate for Kanaka Maoli independence at the United Nations in Geneva, Switzerland. He was one of the nine people who made the first landing to stop the bombing of the island of Kahoʻolawe by the U.S. Navy in 1976. Prejean was known for his music and “stand-up” comedy as well as for his unrelenting criticism of the U.S. military in Hawaiʻi. It was Kawaipuna Prejean who originally proposed convening the 1993 Peoples International Tribunal, Ka Hoʻokolokolonui Kanaka Maoli, which was carried out after his death. Kawaipuna Prejean died on his 49th birthday. He had been fighting to stop the construction of the H-3, which destroyed many ancient Hawaiian sites and substantially impacted native species on the island of Oʻahu.
Walter Ritte Jr., has been a leader of aloha ʻāina movements for four decades. As a native of Molokaʻi, he was initially involved in Hui Alaloa, which fought to maintain Hawaiian access rights for subsistence and cultural practices. He then became one of early warriors involved in resisting the US Navy’s bombing of Kahoʻolawe. Walter and eight others made the first landing on the island Kahoʻolawe on January 4, 1976. He returned less than two weeks later with his wife, Loretta, and sister, Scarlet. The following year, he and Richard Sawyer made the longest of the 1970s protest landings on the island. Walter served in the 1978 Hawaii State Constitutional Convention and was also one of the first elected trustees to the Office of Hawaiian Affairs. His courage in protecting Kanaka Maoli relationships to ʻāina continues. Walter has led the struggles against the genetic modification of Hāloa—the elder sibling of Kanaka. Most recently, he has stood beside other protectors on both Mauna a Wākea and Haleakalā. And he has fought numerous battles to protect his home island. He is the founder of Hui o Kuapā, an organization that works to restore ancestral fishponds. He lives the values of aloha ʻāina as a hunter, a caretaker of Keawanui fishpond, an educator, a father and grandfather.
Terrilee Keko‘olani-Raymond has been a peace and demilitarization activist since she was in high school at Sacred Hearts Academy in Honolulu in the late 1960s. A Kanaka from Kaimukī, who also spent many of her childhood years in the Bay Area, Aunty Terri’s fifty years (and counting) of activism is motivated by an abiding love for her people and her island home. As comfortable at the back of a crowd as with a bullhorn at the front, Aunty Terri is a humble leader who has been a mentor to many young people—Hawaiian and non-Hawaiian—in independence and demilitarization movements in Hawai‘i and beyond.
A student activist in Ethnic Studies at the University of Hawai‘i at Mānoa in the mid-1970s, Aunty Terri really developed her organizing skills through supporting the Waiāhole-Waikāne Community Association against eviction. In that work she became connected with Kaho‘olawe and volunteered to be on the fifth landing of the island in 1977, along with a dozen other aloha ʻāina. Her activism in the 1990s and onward turned squarely toward Hawaiian sovereignty and continued to emphasize demilitarization. You could often find her at the Thursday night hālāwai at Uncle Kekuni Blaisdell’s house in Nu‘uanu. She and Papa Soli Nīheu—her long-time comrade in struggle—would sometimes bicker like an old married couple, without one iota of respect or love lost between them. In this way, they taught the young people in the room the importance of face-to-face dialogue and struggle with one another. They showed how healthy communities and organizers have to tell each other their own truths, even when it is difficult. Aunty Terri has always lifted up youth leaders and made space for them at meetings, at actions, at debriefs. Whether in strategy sessions or casual conversation, she insists upon careful political analysis, as well as upon cultivating relationships of solidarity in Hawai‘i and abroad. Her work has been done through various organizations, especially Nuclear Free and Independent Pacific; Hawai‘i Peace and Justice (formerly the American Friends Service Committee); Women’s Voices, Women Speak; MANA movement; and the De-Tours she has co-led with Kyle Kajihiro, as part of Hawai‘i Peace and Justice, for many years. Aunty Terri’s international demilitarization networking has resulted in linkages between Hawai‘i-based activists with counterparts in Guåhan, Okinawa, Puerto Rico, and the Philippines, among others. Her chapter illustrates the capaciousness of her love and commitment to justice for Hawaiians and many others.
Henry Welokīheiakea‘eloa Niheu Jr. & Dr. Richard Kekuni Akana Blaisdell
“He ʻaʻaliʻi kū makani mai au; ʻaʻohe makani nāna e kulaʻi”
Strong like the ʻaʻaliʻi in which no wind can knock it down
Henry Welokīheiakea‘eloa Niheu Jr., also known as “Kīhei” and “Soli,” was born in Honolulu. He began his activism began upon returning from his university studies at San Jose State and responding to a call from his Niʻihau ‘ohana to prevent the sale of the island. Learning much from the 1960s struggles of Native American, Black, Chicano and other oppressed peoples, Soli began to question the state of his people. Soli involved himself in the antiwar protests and the struggles for ethnic studies on the University of Hawaiʻi at Mānoa campus. He was a founder of Kokua Hawai‘i, a group that was influential in organizing against the evictions of Kalama Valley residents, actions that many mark as the birthplace of the Hawaiian Renaissance. Soli then became a lead member of HULI (Hawaiians United for Liberation and Independence) and consistently represented Ka Pae ʻĀina ʻo Hawaiʻi in the Nuclear Free and Independent Pacific movement.
An international leader as well, Papa Soli traveled throughout Moana Nui, and stood side by side with sovereignty and independence leaders such as Oscar Temaru of Tahiti, and Titewhai, Hone, and Hilda Harawira of Aotearoa. Educated and articulate, Papa Soli spoke for the rights of all Indigenous people. Irreverent and hilarious, he wielded his malo like an ironic sword, mooning leaders of occupying nations throughout the world.
Close to his heart was work done with co-founder, Dr. Kekuni Blaisdell, on the convening of the 1993 Kānaka Maoli Tribunal, an international tribunal convened to investigate the role of the US in the overthrow. A father and grandfather, “Papa Soli,” as he is affectionately known, continued to fight for his people into the 2000s. He was a founding member of Hui Pū, a diverse coalition of Hawaiians who organized to protect self-determination and oppose the model of federal recognition that Nīheu and others believe is a sham of pseudo-sovereignty.
His staunch and unyielding belief in Kānaka Maoli independence put him at the vanguard of what people know as the Hawaiian sovereignty movement. Papa Soli was at the forefront of Hawaiian land and independence struggles for four decades, before passing into the realm of the ancestors on November 30, 2012. “Welo kīhei a ke Aʻeloa” (Cloak fluttering in the Aʻeloa wind)
Dr. Richard Kekuni Akana Blaisdell was a healer. His love for his family, and his prestigious medical career in hematology and pathology, were balanced and focused by his aloha ‘äina, his patriotic devotion to Hawai‘i. He explained that his name, Kekuni, passed down from his Maui lineage, suggested the position and responsibility bestowed upon him. Kuni, as it was explained, is a special fire ceremony associated with an ancient form of healing whereby a medical specialist, a kahuna kuni, would divine the circumstances of a particular illness, or even death, to properly treat the sickness or to determine the
responsible parties. In this respect, Kekuni Blaisdell’s legacy is one of diagnosing and problematizing the sickly condition of the Hawaiian people against a century of land displacement and American trauma, while at the same time restoring health and life, ea, to his beloved nation through his dedication to restoring independence to Hawai‘i.
Kekuni Blaisdell greeted every person he met the same way, with a glowing smile and a warm embrace. Uncle Kekuni always took the time to acknowledge everyone in the room. It was important to him. He embraced you with two hands and pressed his nose and forehead to yours to exchange a deep and long honi, the symbolic exchange of hä, or breath, which connects the lines of our shared past and binds us to a collective future. Uncle Kekuni always took a moment to inspect you, top to bottom, at which point he would give you his typical diagnosis: “Ikaika!”
Uncle Kekuni, as we affectionately called him, was known more widely as Dr. Richard Blaisdell, a pioneering hematologist since the 1940s. His work advanced the field of medicine in Hawai‘i, where he became a professor emeritus and first chair for the newly founded John A. Burns School of Medicine at the University of Hawai‘i at Mänoa. His work with survivors of the atomic attack on Japan, and his subsequent study on the health of Native Hawaiians in the 1980s, were central to his illustrious medical career.
Framed behind retro spectacles and a matching pocket protector for pens he always kept handy for note-taking, Kekuni was born of a different era. Although his daily attire may have hinted at his profession as a medical doctor and distinguished professor, I feel it was more a reflection of his refined character: always put together, always prepared, always well dressed. He wore pressed slacks, business shoes, and a neatly ironed aloha shirt, which he often covered with his famous black Ka Ho‘okolokolonui Känaka Maoli—The Peoples’ International Tribunal, Hawai‘i shirt he printed en masse as a means to promote and fund this international event in 1993. Uncle Kekuni wore those black shirts proudly everywhere he went. His attire became symbolic of his life, as his medical career began to be eclipsed by his growing sense of cultural and national identity. The shirts reflected his reclamation of who he was, but beneath the exterior still beat the heart of a healer. Wearing those shirts was his way of protesting American colonization while at the same time promoting self-determination and independence for Kānaka Maoli. It was his armor.
His education in America at the University of Chicago exposed Uncle Kekuni to the realities of racism and segregation. While he was in Japan, working with atomic blast survivors, his views on power and militarization underwent a major shift. His commitment to health, people, and service became even more politicized when he returned to Hawai‘i with his family during the period known as the Hawaiian Renaissance. In 1966, after twenty-two years away from Hawai‘i, Kekuni became drawn more and more to the resurgence of his culture, language, and history. He began to identify himself as Kanaka Maoli, the name for the true indigenous people who first settled Ka Pae ‘Äina, the Hawaiian Archipelago.
By the 1980s, Kekuni had fully embedded himself into Hawaiian culture and soon began to run with the independence crowd. He credited legendary icons of the Hawaiian movement, such as Kïhei “Soli” Niheu of the Nuclear Free and Independent Pacific movement, Hawaiian filmmaker Puhipau Ahmad of Nā Maka o ka ‘Āina, and Imaikalani Kalahele, revolutionary artist and poet, as opening his eyes to the marginalization of Känaka in Hawai‘i. Kekuni gave recognition to these men over and over again for his colonial emancipation and for introducing him to the Hawaiian independence movement, which he quickly became a crucial part of.
I came to learn that the awakening of Kekuni’s Hawaiian consciousness, coupled with his prestigious medical career, helped to give the young and developing sovereignty movement serious traction and legitimacy in advancing the cause. Yet I pause to contemplate whether Kekuni himself would say otherwise—that it was his commitment to Hawaiian consciousness and activism that validated his medical work. Either way, the rebirth of Kekuni Blaisdell, the Kanaka Maoli patriot, and the resuscitation of ka Lä Ho‘iho‘i Ea (Hawaiian Sovereignty Restoration Day) in 1985, occurred during an era when Hawaiian independence was converging with a swelling interest in the revival of Hawaiian history, language, and culture. Standing at the center was Dr. Kekuni Blaisdell.
To read and download a collection of articles on Dr. Kekuni Blaisdell, click on this link: